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home, kitchen, light, Margaret Olley, objects, painting, photography, setting up scenes, still life
Margaret Olley is another Australian Artist. She was well known for her paintings, but also for her philanthropy and was a popular subject matter for many other other artists. She died in July 2011, and was one of the last of that era of painters. An era that was important in the Australian art scene.
She was famous for her still life paintings and that is certainly one of the reasons why I loved her work.
I love how she laid everything out. It was colourful and expressive. Such vibrant colours.
She has been written about a lot and one of the things that always struck with me is that the still lifes were done around her home. She would set up stuff and then paint it, but she would move on as the light changed, so she could be painting multiple paintings at one time.
You know when you see this image that it was done in her kitchen. I wonder how she managed to paint this and use her kitchen. Was she careful to keep everything in place as she did the painting?
When you look at her paintings you can see different ones were done in similar places or the same place. You can also see the same items in other paintings.
I have downloaded quite a few images and will include them in a gallery at the end of this post.
She also had a lovely garden, and many of the flowers in the paintings came from her her garden. I would like to do more of that. My garden is always so flower poor, well I don’t have good flowers for doing still life images. It has been a dream of mine to have a garden where I could go out and pick flowers to use in images. One day maybe.
She loved Morandi, remember I did a post on him a few weeks ago. You can see some of his influence on her work as well.
This is not strictly something I set up, it is the set for the play Summer of the Seventeenth Doll, but it reminds me so much of one of her paintings. I know when I was photographing this there was that idea in mind.
I possibly zoom in more than what she did, and my work doesn’t tend to be as random, as her work appears, but I do like the idea of the ordinary that is in her work. The everyday.
If you don’t know Margaret Olley, then please look her up. I would loved to have met her, now wouldn’t that have been amazing. Check out some of the rooms of her home, she had so many things and I wonder if my home will end up looking the same one day. It is certainly on its way to getting there.
- Painting of Olley by Ben Quilty
- Dobell Painting
- Olley in her House
- A painting of her by Danelle Bergstrom
- A Room in her House
The paintings are from various sources, though quite a few are from Eva Breuer Gallery and Savill Galleries.




















This bowl was purchased at the Daylesford Market and this is the first time I have used it. The plums came from a tree that my husband rides past on his bike. The tree is on public land, so he has been helping himself and bringing heaps home. They are very nice.
My daughter helped me with this one. When I asked her what it looked like, she said electric. It hasn’t worked brilliantly, but it gives you an idea. The first lot I did, all those years ago, were done on film, and I had no idea if they worked until the film came back from the lab. The others worked better than today, but I probably need to think a lot more about what I am doing.
Klara wanted some photos, so I did some. I tried doing what I did with the others, but she kept laughing and wouldn’t stay still. We had to change, so she sat still and I shone the torch on the wall. I had to do it quickly, otherwise it burned out. I also had to take all the tape off the end of the torch as well. I am going to have to do more of these, but somewhere with a better backdrop.
This is Tiddles, our cat, he kept jumping up on the table I was using, so we thought we would try one. I think you can see why you shouldn’t do one with a cat. He kept following the light and wouldn’t stay still, no matter how many times we told him not to move.















